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Monday, April 7, 2008
A short pencil is worth more than a long memory.
9:34 PM
Flute solo must be more expressive!
Different tone can be used to create the effect.

Tempo at A is not slow nor draggy.
Follow what Mr Lim told you about the judge's preference for the music - melodies should not cut abruptly due to the staccato as it creates an unwanted hiccup effect.

Everyone must take the effort to cres. from 1 bar before B to B.
5 Bars before C, sound must be BROAD instead of piercing/sticking out.

Piu mosso doesn't equates to fast/dash. It just means "more movement" so it is just more movement - not fast.
Bass line at C must remember to create the bouncy effect. And TUBA PLEASE PRACTICE.

6th Bar of C(ok I posted this up before), accented quavers must think of how long your notes should be instead of how short should it be. We'll have the take the performing hall as part of our sound, we must know how much resonance will create as it affects your sound.

2 bar before D, the mp bar should be thought as a very small sound as suggested by Mr Lin, then there's space for a cres.

Music at D should have the same idea at A. But it's more difficult as they're more players so everyone have to be twice as sensitive. Minims should have singing quality but still must cut in time. Trumpet can play more at D.

Snare drummer must be firm in your playing. Trombones, Eupho, Horns should give a little accent more on the 2nd and 4th beat, 1 bar before E. Alto saxophone and others with the same rhythm should sub-divide the semi quavers in the earlier notes to be accurate.


Write them down if you haven't!
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